
The performance explicitly revisits Torvill & Dean's performance at the 1984 Olympics (and uses the television broadcast as its soundtrack). It's pretty amazing - and strange to see that Olympic spectacle absorbed into performance art. I also saw him perform "Meinwärts" couple years ago, and watched the audience turn on him. That performance was so slow, so serious, so painfully sincere and labored that I fell asleep. I figured that was OK, and he probably wouldn't mind. He didn't seem to care what people in the audience felt - even when some queen a couple seats away from me started heckling. It was incredible - the hostility provoked by what I think the audience experienced as a kind of aggressive sincerity.
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